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Author:
Henry Matthews,
Writer,
Office of Information and Public Relations,
hm06@aub.edu.lb
Joumana Haddad:
"The Return of Lilith" (published by Dar An-Nahar) is Joumana's latest book. She is a poet, translator and, since 1997, literary journalist with An-Nahar newspaper. A selection of her poems has been translated into French, Italian, English, Polish and Spanish.

Joumana Haddad


The Return of Lilith

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The Return of Lilith: book cover

If you're an artist looking for inspiration, then the West Hall stage was the place for you on Tuesday 10th May, 2005 in the afternoon, when AUB's Drama Club students recited pages of beautiful Arabic poetry from Joumana Haddad's book: "The Return of Lilith."

The presentation starts with seven black-robed figures standing in a circle, all waiting for Lilith, the mythological first woman. They are the lover, the husband, the father, the son, the brother, the teacher, the friend. They speak of her inattainability, of her wonder and intimate secrets, of their craving for her. She is seven women in one. They wait for her.

From the figures on stage, we learn all about Lilith. She lives in the wild. In old rotting castles with cracking walls and wild growth, with beasts and hyenas. She is the object of desire of all men and home for all contradictions: arrogant and humble, past and future, naked but unseen, with stabs softer than caresses. She is a giver of dreams, a forest, with long tresses and a smile, the sweet slumber after the sensual storm. Her charm is never undone. She has no house and no pillow.

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The performers on stage with Lilith (center)

Lilith is the unbridled lust, the inner moon, the first seduction and the last remorse, the unquenchable thirst. She is Salome's last dance, the dew of ecstacy. Mother of Nefertiti and Balquis

And she is back. White-robed Lilith (Joumana Haddad) shines on stage. "I have returned" she says. "I am the lioness of the master, ... I only shine in pitch darkness.... I am the curse of past curse... the first and the last... the adored and the scorned..."

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Joumana Haddad

The experimental theater was organized by the Women's Rights Club, and co-directed by Michel Kabalan and Johnny El-Hajj, who also took part in the acting along with Eliane Saadeh, Farah Khawaja, Solenn EL Hajj, and Joumana Nasr. All are AUB students.

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