Nat Muller is an independent curator and writer. She is an AHRC Midlands3Cities-funded PhD candidate at Birmingham City University researching science fiction in contemporary visual art from the Middle East. Her writing has been widely published in amongst others Springerin, MetropolisM, Bidoun, Ibraaz, ArtAsiaPacific, Art Papers, Hyperallergic, Ocula, MIT's ARTMargins and Harper's Bazaar Arabia and she has edited a variety of monographs including Sadik Kwaish Alfraji (Schilt Publishing, 2015), Nancy Atakan's Passing On (Kehrer Verlag, 2016) and Walid Siti (Kehrer Verlag, 2019 forthcoming). She has curated video and film screenings for amongst others Rotterdam's International Film Festival (NL), Norwegian Short Film Festival (NO), International Short Film Festival Oberhausen (DE), and Video D.U.M.B.O (USA). Recent exhibition projects include Spectral Imprints for the Abraaj Group Art Prize in Dubai (2012); This is the Time. This is the Record of the Time at Stedelijk Museum Bureau Amsterdam & American University of Beirut Gallery (2014/15); Stirring the Pot of Story for Delfina Foundation's Politics of Food Program in London (2015); the A.M. Qattan 2016 Young Artist of the Year Award Pattern Recognition at Qalandiya International in Ramallah; Neither on the Ground, nor in the Sky at ifa Gallery in Berlin (2019). She was appointed curator of the Danish Pavilion for the 58th Venice Biennale with Larissa Sansour.
Publications with AUB Press: